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<title>Rhys Chatham RSS Feed</title><link>http://www.rhyschatham.net/index.html</link><description>Latest News&#x21;</description><dc:language>en</dc:language><dc:creator>rhyschatham@gmail.com</dc:creator><dc:rights>Copyright 2010 Rhys Chatham</dc:rights><dc:date>2011-03-05T16:17:00+01:00</dc:date><admin:generatorAgent rdf:resource="http://www.realmacsoftware.com/" />
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<lastBuildDate>Sat, 21 Aug 2010 15:12:35 +0200</lastBuildDate><item><title>Northern Spy release out in April&#x21;</title><dc:creator>rhyschatham@gmail.com</dc:creator><dc:subject>Rhys&#x27; blog</dc:subject><dc:date>2011-03-05T16:17:00+01:00</dc:date><link>http://www.rhyschatham.net/page1/files/9027c350f2c91df3d6a8d9b933607145-0.html#unique-entry-id-0</link><guid isPermaLink="true">http://www.rhyschatham.net/page1/files/9027c350f2c91df3d6a8d9b933607145-0.html#unique-entry-id-0</guid><content:encoded><![CDATA[<span style="font:24px Times-Bold; font-weight:bold; color:#0010ED;font-weight:bold; "><u><a href="file:///Users/rhyschatham/Sites/RapidWeaver%20Sites/www.rhyschatham.netSeptC/page1/files/9027c350f2c91df3d6a8d9b933607145-0.html">Primary Information Release out 11 September 2011</a></u></span><span style="font:24px Times-Bold; font-weight:bold; font-weight:bold; "><br /></span><span style="font:12px Times-Roman; ">Tue/Sep/11 14:41<br /></span><p style="text-align:center;"><span style="font:18px Times-Roman; ">For Immediate Release September 08, 2011</span><span style="font:18px &#39;Lucida Grande&#39;, LucidaGrande, Verdana, sans-serif; ">

</span><span style="font:18px Times-Bold; font-weight:bold; font-weight:bold; ">Rhys Chatham</span><span style="font:18px &#39;Lucida Grande&#39;, LucidaGrande, Verdana, sans-serif; font-weight:bold; font-weight:bold; ">
</span><span style="font:18px Times-BoldItalic; font-weight:bold; font-weight:bold; "><em>R&Ecirc;VE PARISIEN</em></span><span style="font:18px &#39;Lucida Grande&#39;, LucidaGrande, Verdana, sans-serif; font-weight:bold; font-weight:bold; ">
</span><span style="font:18px Times-Bold; font-weight:bold; font-weight:bold; ">Release Party and Performance at Audio Visual Arts</span><span style="font:18px &#39;Lucida Grande&#39;, LucidaGrande, Verdana, sans-serif; font-weight:bold; font-weight:bold; ">
</span><span style="font:18px Times-Bold; font-weight:bold; font-weight:bold; ">September 11, 2011</span><span style="font:18px &#39;Lucida Grande&#39;, LucidaGrande, Verdana, sans-serif; font-weight:bold; font-weight:bold; ">

</span><strong><img class="imageStyle" alt="rhys_press_web2" src="http://www.rhyschatham.net/page1/files/rhys_press_web2.jpg" width="342" height="338"/></strong><span style="font:12px Times-Roman; "><br /></span></p><p style="text-align:left;"><span style="font:13px &#39;Lucida Grande&#39;, LucidaGrande, Verdana, sans-serif; font-weight:bold; font-weight:bold; ">
</span><span style="font:13px &#39;Lucida Grande&#39;, LucidaGrande, Verdana, sans-serif; ">
</span><span style="font:17px Times-Roman; ">Primary Information is pleased to announce a new LP by Rhys Chatham. R&Ecirc;VE PARISIEN was produced and designed by Chatham in collaboration with the artist Jacob Kassay. The album features four new compositions that were performed live at Kassay's exhibition at Art: Concept in Paris in 2010, and loosely functions as an audio catalogue to the exhibition.. </span><span style="font:17px &#39;Lucida Grande&#39;, LucidaGrande, Verdana, sans-serif; ">

</span><span style="font:17px Times-Italic; "><em>R&Ecirc;VE PARISIEN</em></span><span style="font:17px Times-Roman; "> contains compositions</span><span style="font:19px Times-Roman; "> </span><span style="font:17px Times-Roman; ">for solo trumpet and electronics that were both performed live and used as a soundtrack through Kassay&rsquo;s exhibition. These compositions mark a change in direction for Chatham, who has abandoned the trumpet style he developed in the nineties for a non-distorted, less effects-driven sound that compliments his minimalist compositions and his free jazz training. The LP is packaged in a stunning gatefold with an arced die-cut cover, which was designed by Jacob Kassay in collaboration with Frank Napolski.</span><span style="font:17px &#39;Lucida Grande&#39;, LucidaGrande, Verdana, sans-serif; ">

</span><span style="font:17px Times-Italic; "><em>R&Ecirc;VE PARISIEN</em></span><span style="font:17px Times-Roman; "> is produced by Primary Information in an edition of 1000 and retails for $20. </span><span style="font:17px &#39;Lucida Grande&#39;, LucidaGrande, Verdana, sans-serif; ">

</span><span style="font:17px Times-Roman; ">A launch celebrating</span><span style="font:17px Times-Italic; "><em> R&Ecirc;VE PARISIEN</em></span><span style="font:17px Times-Roman; "> will take place on September 11 at Audio Visual Arts, which is located 34 East 1st Street in New York City. The launch will begin at 7:00 PM and is free to the general public. </span><span style="font:17px &#39;Lucida Grande&#39;, LucidaGrande, Verdana, sans-serif; ">

</span><span style="font:17px Times-Roman; ">Rhys Chatham is a composer, guitarist, and trumpet player from Manhattan, currently living in Paris. He was the founder of the music program at The Kitchen in downtown Manhattan in 1971 and was its music director between 1971&ndash;73 and 1977&ndash;80. Chatham studied under, was influenced by, or has collaborated with Maryanne Amacher, Don Cherry, Tony Conrad, Jon Hassell, Charlemagne Palestine, Eliane Radigue, Terry Riley, Frederic Rzewski, Morton Subotnick, Serge Tcherepnin, and La Monte Young, among others.</span><span style="font:17px &#39;Lucida Grande&#39;, LucidaGrande, Verdana, sans-serif; ">

</span><span style="font:17px Times-Roman; ">Jacob Kassay, born 1984 in Lewiston, NY, studied at the State University of New York at Buffalo. He currently lives and works between NY and Venice, CA. Kassay's practice includes painting, installation and often collaborative works&ndash;deployed with an economy of means, and engaged with site specificity of light, space, and time. Solo exhibitions for 2011 include his first museum show at The Institute for Contemporary Arts, London; and L&M Arts, Los Angeles, CA.</span><span style="font:17px &#39;Lucida Grande&#39;, LucidaGrande, Verdana, sans-serif; ">

</span><span style="font:17px Times-Roman; ">Primary Information is a non-profit arts organization based in New York City with a mission to publish and distribute artists&rsquo; books and writings. The organization receives generous support through grants from The Andy Warhol Foundation for the Visual Arts,&nbsp;the New York State Council on the Arts, the Stichting Egress Foundation, the Buddy Taub Foundation, and individuals worldwide.</span><span style="font:17px &#39;Lucida Grande&#39;, LucidaGrande, Verdana, sans-serif; ">

</span><span style="font:17px Times-Roman; ">For more information or to order this LP, please visit www.primaryinformation.org or contact info@primaryinformation.org.</span><span style="font:17px &#39;Lucida Grande&#39;, LucidaGrande, Verdana, sans-serif; ">

</span><span style="font:12px Times-Roman; "><br /></span></p><p style="text-align:center;"><span style="font:12px &#39;Lucida Grande&#39;, LucidaGrande, Verdana, sans-serif; ">
</span><img class="imageStyle" alt="primary-information-2" src="http://www.rhyschatham.net/page1/files/primary-information-2.jpg" width="298" height="294"/><span style="font:12px &#39;Lucida Grande&#39;, LucidaGrande, Verdana, sans-serif; ">


</span><span style="font:23px Times-Bold; font-weight:bold; font-weight:bold; ">_______________________________________</span><span style="font:12px Times-Roman; "><br /></span><span style="font:12px Times-Roman; "><br /></span></p><p style="text-align:left;"><br /><br /><img class="imageStyle" alt="paragramslogo1-1" src="http://www.rhyschatham.net/page1/files/paragramslogo1-1.jpg" width="480" height="107"/><span style="font:12px Times-Roman; "><br /></span><ul class="disc"><li><span style="font:12px &#39;Lucida Grande&#39;, LucidaGrande, Verdana, sans-serif; "><br /></span><span style="font:18px Times-Bold; font-weight:bold; font-weight:bold; ">New Release:</span></li></ul><ul class="disc"><li><table border="0.000000" cellpadding="0.000000" cellspacing="0.000000"bordercolor="000000"><tr height="0"><td valign="middle" width="729"><img class="imageStyle" alt="NS004front-650x650" src="http://www.rhyschatham.net/page1/files/ns004front-650x650.jpg" width="480" height="480"/></td></tr></table></li></ul><ul class="disc"></ul><span style="font:24px Times-Bold; font-weight:bold; font-weight:bold; ">Rhys Chatham</span><span style="font:11px &#39;Lucida Grande&#39;, LucidaGrande, Verdana, sans-serif; color:#262626;"><br /></span><span style="font:11px &#39;Lucida Grande&#39;, LucidaGrande, Verdana, sans-serif; color:#262626;"><br /></span><img class="imageStyle" alt="estellehanania-rhyschatham01" src="http://www.rhyschatham.net/page1/files/estellehanania-rhyschatham01.jpg" width="480" height="660"/><br /><span style="font:12px Times-Roman; "><br /></span><span style="font:12px Times-Roman; ">Rhys Chatham is a composer, guitarist and trumpet player from Manhattan, currently living in Paris, who altered the DNA of rock and created a new type of urban music that fuses the overtone-drenched sounds of early 60s minimalism with the relentless, elemental fury of the Ramones where the textural intricacies of the avant-garde collide with the visceral punch of electric guitar-slinging punk rock. Starting with </span><span style="font:12px Times-Italic; "><em>Guitar Trio</em></span><span style="font:12px Times-Roman; "> in the 1970s and culminating with </span><span style="font:12px Times-Italic; "><em>A Crimson Grail</em></span><span style="font:12px Times-Roman; "> for 200 electric guitars in 2009, Chatham has been working for over 30 years to make use of armies of electric guitars in special tunings to merge the extended-time music of the sixties and seventies with serious hard rock. Parallel with his rock- influenced pieces, Chatham has been working with various brass configurations since 1982, and recently has developed a completely new approach with collaborations, improvised and compositional pieces involving trumpet through performances and recordings that started in 2009. Chatham&rsquo;s trumpet work deploys extended playing techniques inherited from the glory days the early New York minimalist and free jazz period.<br /></span><span style="font:12px Times-Roman; ">After writing the Lincoln Center outdoor version of </span><span style="font:12px Times-Italic; "><em>A Crimson Grail</em></span><span style="font:12px Times-Roman; ">, a composition for 200 electric guitars and 16 electric basses, what does one do next?<br /></span><span style="font:12px Times-Roman; ">Rhys Chatham decided to begin where he left off with his brass pieces of the 90s for trumpet, cornet, flugelhorn.<br />While his work with trumpet and electronica allowed him to give lie to those who have too readily confined him to role of the &ldquo;prince of guitar noise&rdquo; (with </span><span style="font:12px Times-Italic; "><em>Drastic Classicism</em></span><span style="font:12px Times-Roman; ">, Chatham was one of the main initiators of noise rock), the principles that have governed his experiments on trumpet are remarkably similar to those that have guided his compositional process with the guitar: repetition, elongation, delay techniques, successive layering of sound phenomena inducing shimmering harmonics underpinned by persistent and explosive electric bass and drums.<br />Chatham deploys extended playing techniques inherited from the glory days of free jazz (Don Cherry, Bill Dixon, Jac Berrocal&hellip;) as well as leaders of the minimalist movement (John Cale, Tony Conrad, Jon Hassell, Charlemagne Palestine, La Monte Young&hellip;) of which he is one of the successors, arriving at a mix that ebulliently exits from his various horns while simultaneously going through stomp boxes and electronic devices. The result is delivered to an audience that has over the years never ceased to continue following his music with a mixture of surprise and enthusiasm &ndash; these forays into such diverse areas of style and sound as punk, techno, drum &lsquo;n&rsquo; bass, drone metal, serious hard rock, and of course, the minimalist music scene of downtown NY at the dawn of the 70s, the scene which gave birth to him.<br /></span><span style="font:12px Times-Bold; font-weight:bold; font-weight:bold; ">Words: Sophie P&eacute;caud</span><span style="font:12px Times-Roman; "><br />for booking contact: regina@frontporchproductions.org</span><span style="font:12px &#39;Lucida Grande&#39;, LucidaGrande, Verdana, sans-serif; ">
</span><span style="font:12px Times-Roman; ">for press contact: press@northern-spy.com<br /></span><span style="font:12px Times-Roman; "><br /></span><span style="font:12px Times-Bold; font-weight:bold; font-weight:bold; ">PRESS</span><span style="font:12px Times-Roman; "><br /></span><span style="font:12px Times-Italic; "><em>&ldquo;&hellip;spacious drones shimmering with intricate harmonic effects.&rdquo;</em></span><span style="font:12px Times-Roman; "> </span><span style="font:12px Times-Bold; font-weight:bold; font-weight:bold; ">&mdash;Peter Margasak, Chicago Reader</span><span style="font:12px Times-Roman; "><br /></span><span style="font:12px Times-Italic; "><em>&ldquo;&hellip;processed through electronics, layering chords in a lush sonic patchwork.&rdquo;</em></span><span style="font:12px &#39;Lucida Grande&#39;, LucidaGrande, Verdana, sans-serif; ">
</span><span style="font:12px Times-Bold; font-weight:bold; font-weight:bold; ">- Areif Sless-Kitain, Time Out Chicago</span><span style="font:12px Times-Roman; "><br /></span><span style="font:12px Times-Italic; "><em>&ldquo;&hellip;.his extensive use of drones and rich overtones, evocative of the work of his former composition teacher, La Monte Young, is hypnotic.&rdquo;</em></span><span style="font:12px Times-Roman; "> </span><span style="font:12px Times-Bold; font-weight:bold; font-weight:bold; ">- The New Yorker</span><span style="font:12px Times-Roman; "><br /></span><span style="font:12px Times-Italic; "><em>&ldquo;It might justly be considered music to pray to.&rdquo;</em></span><span style="font:12px Times-Roman; "> &ndash; </span><span style="font:12px Times-Bold; font-weight:bold; font-weight:bold; ">Will Hermes, The New York Times</span><span style="font:12px Times-Roman; "><br /></span><span style="font:12px Times-Italic; "><em>&ldquo;Surging phosphorescence&hellip; Uplifting.&rdquo;</em></span><span style="font:12px Times-Roman; "> &mdash;</span><span style="font:12px Times-Bold; font-weight:bold; font-weight:bold; "> David Fricke, Rolling Stone</span><span style="font:12px Times-Roman; "><br /></span><span style="font:12px Times-Italic; "><em>&ldquo;Stunning.&rdquo;</em></span><span style="font:12px Times-Roman; "> &mdash;</span><span style="font:12px Times-Bold; font-weight:bold; font-weight:bold; "> Byron Coley, The Wire</span><span style="font:12px Times-Roman; "><br /></span><span style="font:12px Times-Roman; "><br />&copy; 2011 Northern-Spy Records<br /></span><span style="font:23px Times-Bold; font-weight:bold; color:#FF062A;font-weight:bold; "><br /></span></p><p style="text-align:center;"><span style="font:23px Times-Bold; font-weight:bold; color:#FF062A;font-weight:bold; ">_______________________________________<br /><br />Rhys Chatham's - </span><span style="font:23px Times-BoldItalic; font-weight:bold; color:#FF062A;font-weight:bold; "><em>A Crimson Grail</em></span><span style="font:23px Times-Bold; font-weight:bold; color:#FF062A;font-weight:bold; "> (outdoor version)</span><span style="font:23px Times-Bold; font-weight:bold; font-weight:bold; "><br /></span><span style="font:18px Times-Bold; font-weight:bold; font-weight:bold; ">Available in the Nonesuch Store</span><span style="font:14px Times-Bold; font-weight:bold; font-weight:bold; "><br /></span><strong><img class="imageStyle" alt="chatham-a-crimson-grail" src="http://www.rhyschatham.net/page1/files/chatham-a-crimson-grail.jpg" width="338" height="300"/></strong><br /><br /></p><p style="text-align:left;"><span style="font:12px Times-Roman; color:#0010ED;"><u><br /></u></span><span style="font:14px Times-Roman; color:#0010ED;"><u><a href="http://nonesuch.com/artists/rhys-chatham">Rhys Chatham</a></u></span><span style="font:14px Times-Roman; ">'s </span><span style="font:14px Times-Italic; color:#0010ED;"><em><u><a href="http://nonesuch.com/albums/a-crimson-grail">A Crimson Grail</a></u></em></span><span style="font:14px Times-Roman; ">, released on Nonesuch September 14, is now available in the Nonesuch Store. As with almost all Nonesuch Store orders, these include downloads of the complete album as high-quality, 320-kbps MP3s, starting release day.<br />Written in 2005 as a commission for the city of Paris, </span><span style="font:14px Times-Italic; "><em>A Crimson Grail</em></span><span style="font:14px Times-Roman; "> premiered at the basilica of Sacr&eacute;-Coeur. It was created to work with the specific architecture of the basilica, making use of its natural 15-second reverberation time. The musicians surrounded the audience, creating an antiphonal effect with the sound moving around the space from area to area. Scored for as many as 400 guitarists, an orchestra of approximately 125 musicians performed the premiere, to great acclaim. The </span><span style="font:14px Times-Italic; "><em>Dallas Observer </em></span><span style="font:14px Times-Roman; ">said of a recording of that concert, &ldquo;Beautifully intricate and harmonically dense, </span><span style="font:14px Times-Italic; "><em>A Crimson Grail</em></span><span style="font:14px Times-Roman; "> is nearly ambient in tone while pursuing a beauty that never seems beyond its scope.&rdquo;<br />When Lincoln Center Out of Doors and Wordless Music invited Chatham to mount </span><span style="font:14px Times-Italic; "><em>A Crimson Grail</em></span><span style="font:14px Times-Roman; "> in New York at the Lincoln Center Out of Doors Festival, the composition had to be completely reworked for the acoustics of an exterior, non-reverberant setting. The Nonesuch recording captures the subsequent 2009 performance, in Lincoln Center&rsquo;s Damrosch Park, with 200 electric guitars, 16 electric basses, five conductors, and one percussionist.<br />For more information and to reserve your copy now, head to the </span><span style="font:14px Times-Roman; color:#0010ED;"><u><a href="http://www.nonesuch.com/albums/a-crimson-grail" rel="external">Nonesuch Store</a></u></span><br /></p><p style="text-align:center;"><img class="imageStyle" alt="rhys-chatham" src="http://www.rhyschatham.net/page1/files/rhys-chatham-2.jpg" width="338" height="225"/><br /><br /></p><p style="text-align:left;"><span style="font:24px Times-Bold; font-weight:bold; color:#FF0000;font-weight:bold; ">A Crimson Grail</span><span style="font:24px Times-Bold; font-weight:bold; font-weight:bold; "><br /></span><strong><img class="imageStyle" alt="chatham-a-crimson-grail" src="http://www.rhyschatham.net/page1/files/chatham-a-crimson-grail-2.jpg" width="338" height="300"/></strong><span style="font:12px Times-Roman; "><br /></span><span style="font:12px Times-Roman; "><br />524138<br /></span><span style="font:18px Times-Bold; font-weight:bold; font-weight:bold; ">Track Listing<br /></span><span style="font:12px Times-Roman; ">Click tracks with speaker icon to listen<br /></span><table border="0.000000" cellpadding="2.000000" cellspacing="0.500000"bordercolor="000000"><tr height="0"><td valign="middle" width="6"><span style="font:12px Times-Roman; ">1<br /></span></td><td valign="middle" width="28"><span style="font:12px Times-Roman; ">Part 1<br /></span></td><td valign="middle" width="27"><span style="font:12px Times-Roman; ">35:15<br /></span></td></tr><tr height="0"><td valign="middle" width="6"><span style="font:12px Times-Roman; ">2<br /></span></td><td valign="middle" width="28"><span style="font:12px Times-Roman; ">Part 2<br /></span></td><td valign="middle" width="27"><span style="font:12px Times-Roman; ">10:31<br /></span></td></tr><tr height="0"><td valign="middle" width="6"><span style="font:12px Times-Roman; ">3<br /></span></td><td valign="middle" width="28"><span style="font:12px Times-Roman; ">Part 3<br /></span></td><td valign="middle" width="27"><span style="font:12px Times-Roman; ">21:54<br /></span></td></tr></table><span style="font:18px Times-Bold; font-weight:bold; font-weight:bold; ">News & Reviews<br /></span><ul class="disc"><li><span style="font:12px Times-Roman; ">Wednesday, August 18, 2010</span><span style="font:12px &#39;Lucida Grande&#39;, LucidaGrande, Verdana, sans-serif; "><br /></span><span style="font:14px Times-Bold; font-weight:bold; color:#0010ED;font-weight:bold; "><u><a href="http://www.nonesuch.com/journal/rhys-chatham-a-crimson-grail-available-for-pre-order-in-the-nonesuch-store-2010-08-18">Rhys Chatham's "A Crimson Grail" Available for Pre-Order in the Nonesuch Store</a></u></span><span style="font:14px &#39;Lucida Grande&#39;, LucidaGrande, Verdana, sans-serif; font-weight:bold; font-weight:bold; "><br /></span><span style="font:12px Times-Roman; ">Rhys Chatham's </span><span style="font:12px Times-Italic; "><em>A Crimson Grail</em></span><span style="font:12px Times-Roman; ">, due out September 14, is now available for pre-order in the Nonesuch Store. This outdoor version of the piece&mdash;featuring 200 guitarists, 16 bassists, five conductors, and one percussionist&mdash;was performed for the Lincoln Center Out of Doors Festival. As with almost all Nonesuch Store CD orders, </span><span style="font:12px Times-Italic; "><em>A Crimson Grail</em></span><span style="font:12px Times-Roman; "> includes downloads of the complete album as high-quality, 320-kbps MP3s, starting release day.</span></li><li><span style="font:12px Times-Roman; ">Friday, July 2, 2010</span><span style="font:12px &#39;Lucida Grande&#39;, LucidaGrande, Verdana, sans-serif; "><br /></span><span style="font:14px Times-Bold; font-weight:bold; color:#0010ED;font-weight:bold; "><u><a href="http://www.nonesuch.com/journal/nonesuch-to-release-rhys-chatham-a-crimson-grail-on-september-14-2010-07-06">Nonesuch to Release Rhys Chatham's "A Crimson Grail" on September 14</a></u></span><span style="font:14px &#39;Lucida Grande&#39;, LucidaGrande, Verdana, sans-serif; font-weight:bold; font-weight:bold; "><br /></span><span style="font:12px Times-Roman; ">Nonesuch Records releases </span><span style="font:12px Times-Italic; "><em>A Crimson Grail</em></span><span style="font:12px Times-Roman; ">&mdash;Rhys Chatham&rsquo;s work for large electric guitar orchestra&mdash;on September 14, 2010. Written in 2005 as a commission for the city of Paris, A Crimson Grail premiered at the basilica of Sacr&eacute;-Coeur. It was created to work with the specific architecture of the basilica, making use of its natural 15-second reverberation time. Scored for as many as 400 guitarists, an orchestra of approximately 125 musicians performed the premiere, to great acclaim. The Dallas Observer said of a recording of that concert, &ldquo;Beautifully intricate and harmonically dense, A Crimson Grail is nearly ambient in tone while pursuing a beauty that never seems beyond its scope.&rdquo;</span></li></ul><span style="font:18px Times-Bold; font-weight:bold; color:#FF0000;font-weight:bold; ">About this Album</span><span style="font:18px Times-Bold; font-weight:bold; font-weight:bold; "><br /></span><span style="font:12px Times-Roman; ">Nonesuch Records releases </span><span style="font:12px Times-Italic; "><em>A Crimson Grail</em></span><span style="font:12px Times-Roman; ">&mdash;Rhys Chatham&rsquo;s work for large electric guitar orchestra&mdash;on September 14, 2010. Written in 2005 as a commission for the city of Paris, </span><span style="font:12px Times-Italic; "><em>A Crimson Grail </em></span><span style="font:12px Times-Roman; ">premiered at the basilica of Sacr&eacute;-Coeur. It was created to work with the specific architecture of the basilica, making use of its natural 15-second reverberation time. The musicians surrounded the audience, creating an antiphonal effect with the sound moving around the space from area to area. Scored for as many as 400 guitarists, an orchestra of approximately 125 musicians performed the premiere, to great acclaim. The </span><span style="font:12px Times-Italic; "><em>Dallas Observer </em></span><span style="font:12px Times-Roman; ">said of a recording of that concert, &ldquo;Beautifully intricate and harmonically dense, </span><span style="font:12px Times-Italic; "><em>A Crimson Grail</em></span><span style="font:12px Times-Roman; "> is nearly ambient in tone while pursuing a beauty that never seems beyond its scope.&rdquo;<br />When Lincoln Center Out of Doors and Wordless Music invited Chatham to mount </span><span style="font:12px Times-Italic; "><em>A Crimson Grail</em></span><span style="font:12px Times-Roman; "> in New York at the Lincoln Center Out of Doors Festival, the composition had to be completely reworked for the acoustics of an exterior, non-reverberant setting. The Nonesuch recording captures the subsequent 2009 performance, in Lincoln Center&rsquo;s Damrosch Park, with 200 electric guitars, 16 electric basses, five conductors, and one percussionist.<br />Rhys Chatham is a composer, guitarist, and trumpet player from Manhattan, currently living in Paris. He was the founder of the music program at The Kitchen in downtown Manhattan in 1971 and was its music director between 1971&ndash;73 and 1977&ndash;80. While at The Kitchen he was responsible for programming more than 250 concerts of living composers including the NEW MUSIC / NEW YORK Festival, which was the prototype upon which the NEW MUSIC AMERICA Festival was later based. Chatham studied under, was influenced by, or has collaborated with Maryanne Amacher, Don Cherry, Tony Conrad, Jon Hassell, Charlemagne Palestine, Eliane Radigue, Terry Riley, Frederic Rzewski, Morton Subotnick, Serge Tcherepnin, and La Monte Young, among many others.<br />With Rhys Chatham&rsquo;s composition </span><span style="font:12px Times-Italic; "><em>Guitar Trio</em></span><span style="font:12px Times-Roman; "> (1977), he became the first composer to make use of multiple electric guitars in special tunings to merge the extended-time music of the &rsquo;60s and &rsquo;70s with serious hard rock. Chatham continued this pursuit over the next decade, culminating in 1989 with the composition and performance of his first symphony for an orchestra of 100 electric guitars, </span><span style="font:12px Times-Italic; "><em>An Angel Moves Too Fast to See</em></span><span style="font:12px Times-Roman; ">.<br /></span><span style="font:18px Times-Bold; font-weight:bold; color:#FF0000;font-weight:bold; ">Credits</span><span style="font:18px Times-Bold; font-weight:bold; font-weight:bold; "><br /></span><span style="font:12px Times-Bold; font-weight:bold; font-weight:bold; ">MUSICIANS</span><span style="font:12px &#39;Lucida Grande&#39;, LucidaGrande, Verdana, sans-serif; ">
</span><span style="font:12px Times-Roman; ">Bill Abdale, John Allen, Ernest Anderson, Ed Arndt, Daniel Bailen, Brendan Baker, Lindsay Baker, John Banister, Salima Barday, Asim Barnes, Jason Bartell, Ethan Bassford, Brian Beatrice, Martin Beeler, Brad Bennett, Cain Blanchard, Casey Block , Travis Bogosian, Gabriel Bonanno, Giancarlo Bracchi, Christopher Brokaw, Ernest Brooks, Bill Brovold, Gus Brovold, Andrew Burnes, Sal Cataldi, Oliver Chapoy, Noah Chasin, Manon Chatham, George Chen, Jeff Ciprioni, Ty Citerman, Tiziano Cocci&ograve;, Rob Cohn, Heather Coleman, Craig Colorusso, Evan Cordes, Michael Cumella, Anthony D&rsquo;Amato, Eric Davich, Vincent Del Basso, Garrett Devoe, Eddie Dias, Joe Dizney, Christopher Doyle, James Duncan, Kat Dyson, Meghan Dzyak, Olumide Earth, Paul Edwards, Zachary Fairbrother, Brad Farberman, Robert Fellman, Sean Ferguson, Shannon Fields, Steve Five, Justin Foley, Patrick Foley, Chris Forsyth, Eric Freund, Emilie Friedlander, Derek Gaines, Bernard Gann, John Garland, Anthony Gedrich, Aaron Gemmill, Chris Georges, Thomas Gerke, Geoff Gersh, Doug Gillard, Devon Goldberg, Michael Goldman, Brian Good, Kurt Gottschalk, Michael Green, Wavley Groves, Brady Gunnell, Bryce Hackford, Hugh Haggerty, David Haiman, Ryan Hansen, Stefan Happ, Gavin Harper, William Harvey, Robert Hatch-Miller, Matt Hayes, Ian Henderson, Dave Herr, Cary Hirschstein, Jaime Hodge, Stephen Hoffman, Adam Holofcener, Kim Howie, Melissa Huffsmith-Roth, Trevor Hunter, J Ivcevich, Dana Janssen, Kevin Jones, Justin Kantor, Brian Kastan, Nicholas Kuepfer, David Kurutz, Patrick Kwon, Richard Lainhart, David Leonard, Claudio Lescano, Nick Lesley, Alex Lewis, Ezer Lichtenstein, Sarah Lipstate, David Little, Vincent Lo Verme, Naomi Lore, Tristram Lozaw, Amy Madden, Robert Madler, Julian Maile, Mark Maloof, Dennis Marmon, James Martin, Aaron Martinez, Bob Maynard, Tom McCauley, Colter McCorkindale, Kenneth McKim, Jason McMahon, Jason Meeks, Matthew Mehlan, John Melillo, Lucio Menegon, Gustav Mergins, Benjamin Metzger, Kevin Micka, Brent Miles, James Morganti, Warren Ng, Tyler Nolan, Valerie Opielski, Akwetey Orraca-Tetteh, Ryan Pape, Keith Patchel, Rene Penaloza-Galvan, Bob Petrocelli, Vito Petruzzelli, Jon Philpot, Duane Pitre, Robert Poss, Arthur Purvis, Michael Quoma, Gar Ragland, Sean Redmond, Benjamin Reid, Charles Rhyner, James Ross, Lou Rossi, Nicholas Sadler, Victor Salazar, Jessica Salzinski, David Satkowski, Doug Schrashun, Danielle Schwob, Scrote, Jodi Shapiro, Sara Shapouri, Tim Shrout, Mathias Sias, Larry Simon, David Sims, Marc Sloan, Franziska Staubli, Josh Steinbauer, Lauren Stockner, Matthew Stone, Konstantinos Stratigos, Martha Swetzoff, Matthew Taylor, Andrew Thomas, Greg Timm, Scott Townsend, Stefanos Tsigrimanis, Brian Turner, William Tyler, Kip Uhlhorn, Jeremias Umana, Harvey Valdes, Michael Vallera, Bryan Vargas, Ben Vida, Derek Vockins, David Vogt, Giancarlo Vulcano, Lance Walker, Seth Colter Walls, Elia Weg, Ian Weinberger, Byron Westbrook, Matthew Whyte, Trevor Williams, Adam Wills, Elliot Winard, Marcin Wisniewski, Kurt Wolf, Greg Wolfe, Daniel Zlotsky, Joshua Zucker</span><span style="font:12px &#39;Lucida Grande&#39;, LucidaGrande, Verdana, sans-serif; ">
</span><span style="font:12px Times-Roman; ">Composer and Conductor: Rhys Chatham</span><span style="font:12px &#39;Lucida Grande&#39;, LucidaGrande, Verdana, sans-serif; ">
</span><span style="font:12px Times-Roman; ">Concertmaster: David Daniell</span><span style="font:12px &#39;Lucida Grande&#39;, LucidaGrande, Verdana, sans-serif; ">
</span><span style="font:12px Times-Roman; ">Section Leaders: David Daniell, Section 1; Seth Olinsky, Section 2; John King, Section 3; Ned Sublette, Section 4</span><span style="font:12px &#39;Lucida Grande&#39;, LucidaGrande, Verdana, sans-serif; ">
</span><span style="font:12px Times-Roman; ">Producer and Manager: Regina Greene, Front Porch Productions</span><span style="font:12px &#39;Lucida Grande&#39;, LucidaGrande, Verdana, sans-serif; ">
</span><span style="font:12px Times-Roman; ">Technical Director: Eric Block<br /></span><span style="font:12px Times-Bold; font-weight:bold; font-weight:bold; ">PRODUCTION CREDITS</span><span style="font:12px &#39;Lucida Grande&#39;, LucidaGrande, Verdana, sans-serif; ">
</span><span style="font:12px Times-Roman; ">Recorded live at the Lincoln Center Out of Doors festival, Damrosch Park, New York, August 8, 2009</span><span style="font:12px &#39;Lucida Grande&#39;, LucidaGrande, Verdana, sans-serif; ">
</span><span style="font:12px Times-Roman; ">Recording and Mixing Engineer: Eric Block, Chicago, IL</span><span style="font:12px &#39;Lucida Grande&#39;, LucidaGrande, Verdana, sans-serif; ">
</span><span style="font:12px Times-Roman; ">Live Recording Assistant: Eric Horowitz / West West Side Music, New York, NY</span><span style="font:12px &#39;Lucida Grande&#39;, LucidaGrande, Verdana, sans-serif; ">
</span><span style="font:12px Times-Roman; ">Mastering Engineer: Collin Jordan / The Boiler Room, Chicago, IL</span><span style="font:12px &#39;Lucida Grande&#39;, LucidaGrande, Verdana, sans-serif; ">
</span><span style="font:12px Times-Roman; ">Design by: John Gall</span><span style="font:12px &#39;Lucida Grande&#39;, LucidaGrande, Verdana, sans-serif; ">
</span><span style="font:12px Times-Roman; ">Cover Art: Robert Longo</span><span style="font:12px &#39;Lucida Grande&#39;, LucidaGrande, Verdana, sans-serif; ">
</span><span style="font:12px Times-Roman; ">Photography: Paula Court</span><span style="font:12px &#39;Lucida Grande&#39;, LucidaGrande, Verdana, sans-serif; ">
</span><span style="font:12px Times-Roman; ">Producer: Regina Greene</span><span style="font:12px &#39;Lucida Grande&#39;, LucidaGrande, Verdana, sans-serif; ">
</span><span style="font:12px Times-Roman; ">Executive Producer for Wordless Music: Ronen Givony<br /></span></p>]]></content:encoded></item></channel>
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