Summer 2022

As always, I am doing my yearly migration to the south of France in a little hamlet in the Pyrenees, not far from Perpignan. I have my music studio set up, where I work amoung the mountains, trees and dramatic sky!

I have been working on a new solo for live instruments and electronics. Here is a seven minute piece I made here recently for trumpet:

This new solo program can be anywhere from 20-minutes to an hour of music and optional visual elements, featuring me playing electric guitar, trumpet, flutes and live electronics..

Here is a quick sample of the guitar sound I’m currently working on in the context of the new solo:


If you are interested in booking the new solo (or any of my other projects), you can contact me directly here. Or at my booking agency, Julie Tippex Arts and Music.

G3 at Friche Antre Peaux – Bourges – FRANCE

Playing G3 on Friday, 20 May 2022 in Bourges, France at the Nadir venue, Friche Antre Peaux, 9pm. I’ll open the set with my new solo.

  • Electric guitars:
  • Elliot Barthez
  • Tara Clamart
  • Sandro Demay
  • Jérôme Joy
  • Axell Juranville
  • Félix Patte
  • Guillaume Petton
  • Jon Haure-Placé
  • Michèle Santoyo
  • Rhys Chatham
  • Electric bass : Fabien Alidor
  • Drums: Guillaume Zemouche
  • Lights and video : lights and the videos: Quentin Valverde, Ianis Lourdin, Mathis.

Tickets: click here

Spring News 2022

Rhys Chatham & David Fenech / Martin Siewert & Christian Reiner at Liccht
Venue :  Replugged – Lerchenfelder Str. 23 –  1070 Wien
Thursday, 12 May – concert starts at 8pm.

Tickets: Click here

Rhys Chatham is a composer, guitarist, trumpet player and flutist from Manhattan, currently living in Paris, who altered the DNA of rock and created a new type of urban music by fusing the overtone-drenched minimalism of the early 60s with the relentless, elemental fury of the Ramones — the textural intricacies of the avant-garde colliding with the visceral punch of electric guitar-slinging punk rock. He was introduced to electronic music and composition by Morton Subotnick in the late 60s, and in the early seventies he studied composition with La Monte Young and played in Tony Conrad’s early group. These composers are, along with Terry Riley, the founders of American minimalism and were a profound influence on Chatham’s work.

Starting with Guitar Trio in the 1970s and culminating with A Crimson Grail for 200 electric guitars in 2009, Chatham has been working for over 30 years to make use of armies of electric guitars in special tunings to merge the extended-time music of the sixties and seventies with serious hard rock. Parallel with his rock-influenced pieces, Chatham has been working with various brass configurations since 1982, and recently has developed a completely new approach to collaborations, improvised and compositional pieces involving trumpet through performances and recordings that started in 2009.

David Fenech is an active composer, performer, and improviser from Paris. His works include acoustic, electronic, tape, and digital media, including sound installations and film scores.
After creating the musical collective Peu Importe in Grenoble in 1991 (free improvisation and songs – many gigs in Europe) his music has shifted to more personal and strange areas, mainly using voice as an instrument. He released his first solo cd called Grand Huit, in 2000. The record is like a long movie for the ears, with 8 different clips. This album is now re-released on Felix Kubin’s Gagarin label.
As a soloist, David Fenech plays guitar and ukulele as well as small instruments such as melodica, cavaquinho, toy piano and xylophone. He played with musicians such as rhys chatham, berangere maximin, james plotkin (old, khanate), felix kubin, jad fair, tom cora, gino robair, ramona cordova, erikm + llog, sebastien roux, claude parle, christian rollet (a.r.f.i, workshop de lyon), andrea parkins, and with members of madrid, moka, les enfants des autres, x ray pop, art moulu, maisie, le club des chats, vincent epplay, sporto kantes and also with herve zenouda, mr quark, shugo tokumaru, anja kirschner, ghedalia tazartes + jac berrocal, digiki, toog, daniel palomo vinuesa, falter bramnk, imagho, dragibus and many others. https://davidfenech.fr

Martin Siewert ist ein deutscher Jazz- und Improvisationsmusiker (Gitarre, Elektronik) und Filmkomponist. Er lebt seit dem Alter von zehn Jahren in Wien. Er studierte Gitarre an der Universität für Musik und darstellende Kunst Graz. Als Gitarrist begann er um das Jahr 1995 öffentlich aufzutreten, zunächst mit Herwig Gradischnig, Freier Fall, Franz Hautzinger und seiner eigenen Band Duckbilled Platypus. Mit dieser Band veröffentlichte er zwei Alben auf Extraplatte. Ungefähr zur gleichen Zeit wie andere Wiener Musiker auch (etwa Boris Hauf, Dieb13, Hautzinger, Werner Dafeldecker oder Helge Hinteregger) begann er sich vom Jazzidiom zu lösen und entwickelte einen abstrakten Sound auf der Gitarre. Bald gehörte er zu den Gruppen Efzeg (mit Burkhard Stangl und Hauf) und Komfort, in die er Dafeldecker, Hinteregger, Wayne Horvitz und Tony Buck einlud. In der Gruppe Trapist spielte er mit Joe Williamson und Martin Brandlmayr zusammen. Mit Christian Reiner erscheint im Mai das Album Erstens, das an diesem Abend zum ersten Mal live präsentiert wird.

Christian Reiner ist Sprecher von Gedichten, Prosa und experimentellen Texten.Solo und in unterschiedlichen Formationen arbeitet er an Hörstücken, Theaterprojekten, Lesungen, Konzerten und CD-Einspielungen. Seine Arbeiten sind meist im Zwischenbereich von Sprache und Musik zu finden. Mit improvisierenden Musikern und Tänzern kooperiert er seit Mitte der 90er Jahre und entwickelte seine ihm eigene Art und Weise, mit gesprochenem Wort und den Möglichkeiten der menschlichen Stimme zu improvisieren. In unterschiedlichen Formationen und Ensembles, präsentiert er seine Arbeiten auf Festivals, bei Gastspielen und Konzerten.Doors: 20.00

Reiner Siewert: 20.15
Chatham Fenech: 21.15


Winter news 2021 Rhys Chatham

Concert for Ghédalia Tarzartès

Le 9 février 2021 Ghédalia Tazartès nous quittait. Dans le cadre de la Semaine du Bizarre, où il avait joué en décembre 2019 son dernier concert en duo avec Rhys Chatham, quinze musiciennes et musiciens qui ont tous collaboré avec Ghédalia proposeront un Concert pour Ghédalia. Avec Rhys Chatham, Maya Dunietz & Elie Tazartes, Parrenin/Weinrich/Rollet, Quentin Rollet/Jérôme Lorichon/Cosmic Neman, Opéra Mort, Super Stoned, Low Jack, Gwen Jamois.9 décembre 2021, 19hdans le cadre de La Semaine du Bizarre #10en partenariat avec Julie Tippex & Les Instants Chavirés
Théâtre Municipal Berthelot Jean-Guerrin6, rue Marcellin-Berthelot93100 – Montreuil, FR prix – 12€

On February 9, 2021 Ghédalia Tazartès left us. As part of La Semaine du Bizarre, where he played his last concert in December 2019 as a duo with Rhys Chatham, fifteen musicians who all collaborated with Ghédalia will propose a Concert for Ghédalia, with Rhys Chatham, Maya Dunietz & Elie Tazartes, Parrenin/Weinrich/Rollet, Quentin Rollet/Jérôme Lorichon/Cosmic Neman, Opéra Mort, Super Stoned, Low Jack, Gwen Jamois.

December 9, 2021, 7pm as part of La Semaine du Bizarre #10 in partnership with Julie Tippex & Les Instants Chavirés –
Théâtre Municipal Berthelot – Jean-Guerrin 6, rue Marcellin-Berthelot 93100 – Montreuil, FR price 12 euros.


G3 at RISK on Saturday 11 December 2021 – Stavanger, Norway

Photo: Sue Rynski

If you find yourself in the vicinity of Stavanger, Norway, we will be mounting a performance of G3 this week on Saturday, 11 December. For further info, click below.

Here is the lineup:
Electric Guitar: Rhys, Gaute Granli, Jan Christian Lauritzen, Peter Larsen, Anders Mosnes, & Kristoffer Riis.
Electric Bass: Markus Hagen
Drums: Thore Warland

More info: G3 at RISK in Stavanger, Norway – 11 December 2021

For booking of G3 or Rhys’ new solo concert contact: pascal@julietippex.com


Autumn 2021 in Paris

Rhys Chatham guitar orchestra at BBMix Festival on 27, 28 November in Paris!

I’ve been busy working on a new solo, which is why I’m a little late posting this. The main event for this month is the presentation of one of my guitar orchestras here in Paris, for the first time in quite a while.

The occasion will be the BBmix Festival, held on Saturday 27 November which will be the only appearance of the electric guitar orchestra, with the festival continuing on sunday with other amazing events.

After a yearlong pause, the BBMix Festival continues its musical explorations of its latest 16th edition at the Carré Bellefeuille at Boulogne Billancourt (easily accessible on the Paris Métro!)

Here’s the link to buy tickets, which are quite reasonably priced:

https://linktr.ee/FestivalBBMIX

Here is the complete program:

👀 SAMEDI 27 NOVEMBRE
● L’ORCHESTRE DE GUITARES ÉLECTRIQUES DE RHYS CHATHAM (USA/FR)
● IN C POUR 11 OSCILLATEURS ET 53 FORMES (FR)
● ENSEMBLE NIST-NAH (AUS/FR/GB)
● VALENTINA MAGALETTI PLAYS THE BATTERIE FRAGILE (IT/FR)

👀 DIMANCHE 28 NOVEMBRE
● CHOCOLAT BILLY (FR)
● AKSAK MABOUL (BE/FR)
● FAUST IV LIVE! (DE)

For the guitar orchestra, we have quite a lineup:
Rhys Chatham, guitare
Maxime Delpierre, guitare
Lou Garcia, guitare
Nico Guerrero, guitare
Valentina Magaletti, batterie
Tatiana Paris, guitare
Jean-François Pauvros, guitare
Myriam Stamoulis, basse



I’ll be participating in another cool event in November in the context of a screening of films by the No Wave filmmaker Vivienne Dick, who is having a retrospective of her work at Jeu de Paume Paris 18 – 28 November. Composer Martin Wheeler and I will be playing a live set in this context on the Friday 19 April. Go to this link for details:

https://jeudepaume.org/evenement/cinema-viviennedick/

From the film Guerrilleres Talks by Vivienne Dick

I’ll be posting some snippets from my new solo in the coming days. A final bit of news, we were supposed to mount G3 in Saint Petersburg, Russia in November, but the show got pushed to next year due to Covid. Alas, we are not done with Covid, folks. so be safe, exercise prudence in your social contacts, and stay healthy!

—ooOoo—

Summer 2021

At the end of June we in Paris were unconfined by order of our president.

I live in the 6th arrondissement, and on my way to the studio , which is also in the 6th, I must say that it was a pleasure to see everybody outdoors at the cafés on rue Bucci hanging out and enjoying themselves!

The only problem is that everybody was packed together like sardines, and of course no one was wearing masks because, hoorah hoorah, the confinement had been lifted!

rue Bucci, Paris 6

I wish people would exercise a little prudence, the pandemic isn’t over. It’s possible to carry COVID without showing symptoms and give it to other people, which is another good reason for continuing to wear masks.

While it is great that we musicians are starting to play again, I only hope it lasts. The choice today isn’t to get vaccinated or not get vaccinated, the choice is either everyone gets vaccinated or we go into confinement again, back and forth…endlessly!

Anyway, all that to say I finally have some concerts coming up in September! I only hope that they don’t get canceled due to COVID, but we’ll hope for the best…

The Farniente FestivalSaturday, 4 September 2021 – Saint Nazaire, France.

I’ve been working since early July at my studio in the south of France, in the foothills of the Pyrenees, near Céret. I have a solo performance coming up at the Farniente Festival on Saturday, 4th September in Saint Nazaire.

http://farniente-festival.org/programme/

Evidently, the festival will be on the beach! Here are some photos:

Over the last few years, my solo has consisted of me playing Pythagorean Dream, a piece I had been developing since 2007 that was released on Foom Records about five years ago.

Since last July, I’ve been working on a new solo for me on alto and C flute, voice and (of course) electric guitar.

Instead of continuing to work with my analog setup of loops and other devices, I’m doing this piece completely live in Ableton, working with the Push 2 interface. I’m excited about the new sounds I’ve been getting and plan to present an early version of the new piece at the Farniente Festival.

Fields Festival – Saint Petersburg, Russia:

I’m please to be returning to Russia, this time to play at the Fields Festival in Saint Petersburg on Saturday, 19 September 2021.

We’ll be playing G3 with guitarists from the region of Saint Petersburg.

I don’t have the website yet but in the meantime I’ll post a picture from their FB page announcing the concert. As soon as I have the names of the musicians and other details, I’ll post them.

Photo by Sue Rynski – who captured my “bluesman” look…

Spring 2021

We’re still confined, so my projects have consisted of things one can do online. 

I’ve been working with electronic image artist Angie Eng doing music for her a multisensory installation entitled Kosmorganic Art. We hope to have documentation on that in the coming weeks.

Another new project is with choreographer Yves Musard, who is currently based in Marseilles.  We’ve been working together virtually on a film featuring Yves and my music.

I’ve also been working on a series of short videos with installation artist Raphaele Shirley, here’s a short video of a piece she mounted that I added music to:

There is discussion of possible performances for the late spring and summer, but of course nothing is firm due to Covid.

I’m looking forward to performing live again. In that spirit, here is an excerpt of a performance I did in Paris, pre-Covid:

Pythagorean Dream (excerpt).

Other spring news:

There is a vinyl record in the works with the label SubRosa, it is a duo with me and the dearly recent departed Ghédalia Tazartès, scheduled to be released over the summer. I’ll announce the precise date as the time approaches.

I’m interested in doing sound tracks for films during these Covid times, so if you have a project the would benefit from a soundtrack by us, by all means let us know. I’m currently working with electronic sound, transverse flutes and of course electric guitar. Trumpet is on hold at present due to dental work.

I can be contacted through my agent, Pascal Tippex. Write to: pascal@julietippex.com

 —ooOoo—

Rhys Chatham – Fall 2019 News – NYC Issue project performance.

photo: Isabelle Forestier

RHYS CHATHAM: THE SUN TOO CLOSE TO THE EARTH / JONATHAN KANE & ZEENA PARKINS: ON, SUZANNE

October 4th & 5th, ISSUE is pleased to present the world premiere of The Sun Too Close to the Earth, an expansive new work by iconoclast composer and multi-instrumentalist Rhys Chatham. Commissioned by ISSUE and presented as a part of the French Institute Alliance Française’s (FIAF) thirteenth annual Crossing the Line Festival, the piece spans Chatham’s aesthetic concerns across thirty years of composing for electric guitar ensembles, as well as the minimalist and free jazz traditions that grew out of NYC’s downtown music scene.

The Sun Too Close to the Earth is a fully notated composition, combined with improvisational elements, written for a nine-person ensemble with electric guitars in special tunings, horns, keyboard, and percussion. The ensemble features many ISSUE friends and luminaries within the Downtown NYC experimental music scene, including Jonathan Kane, Anthony Coleman, Ernie Brooks, and Karen Haglof, as well as Jaimie Branch, Anna Roberts-Gevalt, Sarah Register, Reut Regev, and Jen Baker.

In this piece, Chatham draws from his roots composing for electric guitar ensembles of widely varying forces, incorporating the overtone drenched minimalism of the early 1960s with the relentless elemental fury of the Ramones — the textual intricacies of the classical avant-garde colliding with the visceral punch of punk rock. The Sun Too Close to the Earth combines these influences with Chatham’s more recent experience as a wind player, deploying extended playing techniques inherited from the glory days of the minimalist and free jazz period of New York’s East Village in the early 1970s.

Until now, Rhys has kept the two strains of composition in separate camps. With The Sun Too Close to the Earth, Chatham blends these two bodies of work into one, to arrive at a “post-urban” music that reflects the artist’s concern for the ravages of climate change and the senseless destruction of our planet.

Chatham also performs the North American premiere of his 20-minute solo work Le Possédé for bass flute. The piece continues Chatham’s explorations of the possibilities offered by the early minimalist period of downtown Manhattan. During the early 1970s, Chatham played in La Monte Young’s Theater of Eternal Music, with Tony Conrad in an early version of The Dream Syndicate, and in trio formation with Charlemagne Palestine and Tony Conrad. Chatham draws on these experiences to arrive at a musical vocabulary which is reminiscent of this exciting period in New York, transforming the sound in a way that could only happen in the present decade.

Renowned experimental musicians Zeena Parkins and Jonathan Kane also perform the world premiere of On, Suzanne, dedicated to ISSUE’s founder Suzanne Fiol. Inspired by the poem Some ‘American Sentences’ On Suzanne by the late Holly Anderson, the event marks the first ever collaboration of these two legends of Downtown NYC music.

PROGRAM:

On, Suzanne
Harp: Zeena Parkins
Drums: Jonathan Kane

Le Possédé
Bass flute: Rhys Chatham

Intermission

The Sun Too Close to the Earth
Electric guitars: Karen Haglof, Anna Roberts-Gevalt, Sarah Register
Electric bass: Ernie Brooks
Drums: Jonathan Kane
Electric keyboard: Anthony Coleman
Trumpet: Jaimie Branch
Trombones: Jen Baker, Reut Regev
Conductor: Rhys Chatham

—ooOoo—

 

 

Conservatoire TPM conference – Part 1

Here is Part 1 of the conference I gave in January at Conservatoire Toulon Provence Méditéranée, the largest music conservatory (in terms of number of students) in all of France. The lecture had a packed house! This is the first part of the lecture, which is about 18 minutes in length.

It’s in French, but don’t worry, even if you only took high school French, you will be able to understand it because it is ME speaking French with my “charming” American accent! Here is the description:

New Music, New York Conférence – Rencontre avec Rhys Chatham: La musique dans le “downtown” new yorkais des années 70 et 80. Rhys Chatham est le fondateur – et un temps directeur artistique – du programme musical de  The Kitchen à Manhattan, lieu emblématique d’un certain brassage stylistique.

À l’occasion de cette conférence exceptionnelle, il nous parle de la scène musicale new yorkaise des années 70 et 80, du CBGBs à The Kitchen, du Max’s Kansas City à Artist’s Space en passant par The Mudd Club, du point de vue d’un compositeur et performer proche de musiciens tels que John Cage, Lydia Lunch, Laurie Anderson, James Chance ou encore Arto Lindsey.

September 2018 Rhys Chatham update:

Rhys Chatham currently works with
Julie Tippex Art & Music Agency
https://julietippex.com/roster/rhyschatham/

For European bookings you can contact
Pascal Tippex at pascal@julietippex.com

For worldwide bookings and general information
you can contact us at rhyschathamnews@gmail.com

Coming up next:

Robert Longo and I will again collaborate on the Eisenstein version of G3 (Guitar Trio). The date will be Friday, 28 September at 9pm.

The performance will be at the Captain Petzel Gallery in Berlin in the context of the opening of robert’s show there, entitled “Everything Falls Apart”.

Here is a link to all the information:
http://www.capitainpetzel.de/exhibitions/everything-falls-apart/

and here is who will be playing:
Electric guitars: Rhys Chatham, Robert Longo, Knox Chandler, Julia Reidy, Robert Engelbrecht, Alexa Disaster.
Electric Bass: Alex Kozmidi
Drums: Olve Strelow

 

Most recent performance: my solo performance of Pythagorean Dream on Saturday, 22 September 2018 at the Fort Process Festival in the UK in East Sussex.

On this festival, among many wonderful acts, there was one of my favorite composers of electronic music, Ned Rush!

Here is the address: Newhaven Fort, Fort Road, Newhaven, East Sussex, BN9 9DS, United Kingdom.
Here is a link to the event: https://fortprocess.co.uk/rhys-chatham/.
And here is a link to the lineup:
https://fortprocess.co.uk/rhys-chatham/.

And now, for other news:

Every summer, my partner and I move our respective studios, my partner with her brushes and easels, me with my computers, Abbleton Live, Logic, Sibelius and Finale, and we go to the south of France and stay in a hamlet about 30km from Céret.

We had a great summer, which I spent working on a book about my years as a music producer at the Kitchen Center in New York during the seventies. I’ve been posting individual segments of the book on my FaceBook page.

In order to set a context for the issues that downtown composers were working on during the seventies I went all the way back to the birth of the twelve-tone row, tracing its development through serialism and post serialism. then moving on to early minimalism in New York, and finally recounting my adventures in Morton Subotnick’s electronic music studio at New York University, when the studio was on Bleeker Street in Manhattan.

I left things there, and next week I hope to take things up again by writing about the first concerts we did at the Kitchen, when it was on Mercer Street.

After returning to Paris Ghédalia Tazartès and I have been working on a duo set, which we recently performed for the first time at a private and informal concert here in Paris.
I first met Ghédalia in New York, I think the last time I saw him in the flesh was at a concert at CBGBs in the late 70s, so when we first got together to work up a set, I wasn’t sure what to expect, and it was for SURE that HE didn’t know what to expect, as the last time he saw me it was with an electric guitar band at CBGBs!

Happily, our first rehearsal was absolutely magical, it was as if our music were made for each other and as if we had been playing together for years.

Fortunately, Benoît Lesieux was there to record it, here is a link to what he filmed:

For worldwide bookings you can contact us at rhyschathamnews@gmail.com

Rhys Chatham currently works with Julie Tippex
https://julietippex.com/roster/rhyschatham/

For European bookings you can contact Pascal Tippex at
pascal@julietippex.com